Essay on The Success of Andrew Lloyd Webber - 1157 Words

The Success of Andrew Lloyd Webber Musical theater is a very difficult profession in which to make a living. Most composers of musicals only create one good musical and are unable to create any more. Not Andrew Lloyd Webber! He is not like any of those composers. Andrew Lloyd Webber is a successful composer due to his variety of appeal to diverse audiences. Andrew Lloyd Webber is an English composer who used rock-based compositions to revitalize British and American musical theater in the late 20th century. Lloyd Webber has had many great hits during his career. He has won numerous awards for his works. Due to his talent, Andrew Lloyd Webber has been asked by many professional soloists and groups to compose music for them. These†¦show more content†¦It was great to get that, says Lloyd Webber, there were about 30 shows that opened around the same time that The Beautiful Game opened. In 1997, Lloyd Webber won a Golden Globe and an Academy Award for Best Original Song, You Must Love Me, from Evita. He has also won a total of six Grammys, five Laurence Oliver awards, four Tonys, four Drama Desk Awards, and since he is only the second composer ever to have three different shows running in two countries, he received the American Society of Composers, Authors, Publishers Triple Play Award for Creative Achievement by Bnoi Brith in New York. These numerous awards are one reason why Andrew Lloyd Webber is a great composer. Lloyd Webber has been asked by countless famous professional artists and groups as well as organizations to compose songs for them. Menets Jellicle Haven states that over 150 artists have performed Lloyd Webbers song, Memory, from Cats. Menet goes on to say that a few of those entertainers that performed Memory include Barbara Streisand, Johnny Mathis, and Judy Collins, to The Boston Pops and Liberace. Barry Manilow actually placed the song in the top 40 in the United States. A techno/dance version topped the European charts when Natalie Grant, a European singer, sang it last year. Evita was another big success of Lloyd Webber in which had many big names stared in. Madonna portrayed Evita Peron, andShow MoreRelatedAndrew Lloyd Webber: a Musical Theatre Virtuoso1257 Words   |  6 PagesAndrew Lloyd Webber: A Musical Theatre Virtuoso For many, musical theatre is an experience that not only posses the power of entertainment, but the power of transformation. Masters of music such as Stephen Sondheim, Leonard Berstein, and George Gershwin used music as a theatrical element by which intense emotions and ever changing moods could be expressed. Their beautiful scores are regarded as the most impressive and moving in musical theatre history. Joining them at the top is Andrew LloydRead MoreAndrew Lloyd Webbers Life and Work Essay576 Words   |  3 PagesAndrew Lloyd Webber was born on March 22, 1948. He composed many musicals throughout his lifetime including; â€Å"Evita†, â€Å"Phantom of the Opera†, and â€Å"Cats†. Webber grew up in South Kensington to parents William who was a professional in theory and composition at the Royal College of Music in England and Jean who was a singer and a violinist in the same school. By age three Webber was playing the violin. Then by age six he composed his own songs. Then by age nine he had a piece of music published inRead MoreEssay On Phantom Of The Opera1143 Words   |  5 Pagescreated by the amazing Andrew Lloyd Webber. Andrew was born on March 22, 1948, in South Kensington in London, England. He was the first of two sons of William Lloyd Webber, who was an organist and composer. His mother, Jean Johnstone, was a pianist and violinist. Andrew Lloyd Webber learned to play many musical instruments at home and began composing extremely early. He continued his musical studies at Westminster School, where his father was an organist. At the age of 9, Andrew was able to play theRead MoreAnalysis Of Phantom Of The Opera 1873 Words   |  8 Pageshowever are comparably far less audible due to the left hand accenting octaves of the root notes, and serve only as slight substance and not much audible difference† (Alexondrovics, 2016. p. 5). In a sense, Alexondrovics is spelling out exactly what Webber did to copy and paste his work to his own pages and call it originality because Although the songs are both written in different keys, at different tempos, with various instruments, there is no denying the similarities between the two songs. It isRead MoreThe Phantom Of The Opera1387 Words   |  6 Pagesfilm after its first round was then re-done two more times, one of which was not a success. Andrew Lloyd Webber in May of 1984 hears about the theatre royals stage performance and then comes up with the ideal to turn the book/ play at this time into a musical. The musical took several awards and made countless new fans, finally being turned into a film by Warner Brothers Dec, 22 2004, showing the same amount of success as the musical show. (The Phantom of the Opera, (2004) The musical performance IRead MoreThe Music That Transformed A Hidden Classic Into Modern Culture2684 Words   |  11 Pagesnovel’s entirety. Leroux especially highlights the Phantom’s undying love for a woman named Christine Daae and displaying the most primitive feeling towards another. The novel itself has inspired several adaptations of film before a man named Andrew Lloyd Webber, a music composer, approached the idea of an adaptation of the novel in 1986. His contributions to the musical revolutionized the original story through his compositions of music. This addition of music to the musical adaptation of The PhantomRead More Archetypal Characters and Symbols in The Phantom of the Opera1713 Words   |  7 Pagesof him throwing a stool across the room when a client has been flirtatious with Marisa5.   This adaptation is lacking the dangerous side of Erik, so as not to scare off the light-hearted reader.   A third version with numerous modifications is Andrew Lloyd Webbers award-winning musical.   In this variation, seemingly crucial details such as the scene with Raoul in the torture chamber, and the entire character of Eriks Persian confidante are removed for the sake of time constraints and simplicityRead MoreMamma Mia Case Study1594 Words   |  7 Pagessong â€Å"Dancing Queen† and made everyone sing along with â€Å"Thank You For The Music.† Love the show or hate it, you can’t deny the fact that it is a phenomenal feel-good musical. I. Main Issue Basically, the main issue is how did â€Å"Mammia Mia!† achieve success in musical theatre? The executive producer of the musical, Judy Craymer reflected on the recent failure and wondered about the factors that had contributed to Chess’s Broadway failure. On the other hand, how did the production team deal with the opportunitiesRead MoreAnalysis Of Mike Bunn s Writing1771 Words   |  8 Pagestheatre students. Narrative and descriptive are use to describe Bunn’s form of writing. As he stated in his thesis, â€Å"In 1997, I was a recent college graduate student living in London for six months and working at the Palace Theatre owned by Andrew Lloyd Webber.† (71) According to Bunn’s text, he describes his experiences by working at the theatre and being a college graduate student by using rhetoric in his writing. One of the main ideas in his text is where he states that the fact that â€Å"all writingRead MoreEssay on American Musicals2785 Words   |  12 Pagesinto a new era. Although it now seems deeply conservative and highly sentimental, in its time it was groundbreaking. After the success of the first rock musical Hair, the path was paved for a new, British, inspirational one. Andrew Lloyd Webber and Tim Rice provided just that. Their British rock musical, Jesus Christ Superstar, (Appendix 1 - D) had already been a huge success worldwide before it triumphed in the West End. It ran for eight years in London. It encouraged other ‘rock operas’ onto the stage